iterature

Percy Bysshe Shelley

Percy Bysshe Shelley by Alfred Clint
I first read Percy Shelley in a brilliant Romantic Literature class at Indiana taught by professor Monique Morgan. (Who, by the way, is cited on the Wikipedia page for William Blake. I looked him up to contextualize one of his poems and there she was, referenced by whoever wrote the page. She's so cool.) Prior to, I had never read Shelley, Tennyson, Byron, Blake, Coleridge... none of them. To be honest, I'm not really a poetry type of person. I guess you could say I like poetic prose, but if I'm being real about it, we all know that's not even close to the same thing. It's just good writing. It takes out all of the hard stuff.
​Admittedly, I haven't read much of Shelley's actual poetry (hence why he's in the Lit tab and not the Poetry one). We had to read "Ode to a Skylark" and "Ozymandias" in class... right over my head. What I do really like about Shelley, though, and a lot of the Romantic Poets (Ralph Waldo Emerson will have his own feature, believe you me), are their musings, essays, and criticism on nature and the Romantic Movement itself: human nature, the natural world and humanity's place in it, love, freedom, the value of imagination, and the individual.
Reading Shelley's "On Love" was one of those deeply personal experiences where I felt as if he'd written out parts of my heart and mind on the page. As another of my professors likes to say: "the specific is universal," and Shelley's essay is just that. The platonic, familial, and romantic all elevated as a force that supersedes all other human necessity. Love's power sees and feels and breathes, "so soon as this want or power is dead, man becomes the living sepulchre of himself, and what yet survives is the mere husk of what once he was."


ON LOVE.
WHAT is Love? Ask him who lives, what is life; ask him who adores, what is God?
I know not the internal constitution of other men, nor even thine, whom I now address. I see that in some external attributes they resemble me, but when, misled by that appearance, I have thought to appeal to something in common, and unburthen my inmost soul to them, I have found my language misunderstood, like one in a distant and savage land. The more opportunities they have afforded me for experience, the wider has appeared the interval between us, and to a greater distance have the points of sympathy been withdrawn. With a spirit ill fitted to sustain such proof, trembling and feeble through its tenderness, I have everywhere sought sympathy, and have found only repulse and disappointment.
Thou demandest what is Love. It is that powerful attraction towards all we conceive, or fear, or hope beyond ourselves, when we find within our own thoughts the chasm of an insufficient void, and seek to awaken in all things that are, a community with what we experience within ourselves. If we reason, we would be understood; if we imagine, we would that the airy children of our brain were born anew within another's; if we feel, we would that another's nerves should vibrate to our own, that the beams of their eyes should kindle at once and mix and melt into our own; that lips of motionless ice should not reply to lips quivering and burning with the heart's best blood. This is Love. This is the bond and the sanction which connects not only man with man, but with every thing which exists. We are born into the world, and there is something within us which, from the instant that we live, more and more thirsts after its likeness. It is probably in correspondence with this law that the infant drains milk from the bosom of its mother; this propensity developes itself with the developement of our nature. We dimly see within our intellectual nature a miniature as it were of our entire self, yet deprived of all that we condemn or despise, the ideal prototype of every thing excellent and lovely that we are capable of conceiving as belonging to the nature of man. Not only the portrait of our external being, but an assemblage of the minutest particles of which our nature is composed; a mirror whose surface reflects only the forms of purity and brightness; a soul within our own soul that describes a circle around its proper Paradise, which pain and sorrow and evil dare not overleap. To this we eagerly refer all sensations, thirsting that they should resemble or correspond with it. The discovery of its antitype; the meeting with an understanding capable of clearly estimating our own; an imagination which should enter into and seize upon the subtle and delicate peculiarities which we have delighted to cherish and unfold in secret; with a frame whose nerves, like the chords of two exquisite lyres, strung to the accompaniment of one delightful voice, vibrate with the vibrations of our own; and of a combination of all these in such proportion as the type within demands; this is the invisible and unattainable point to which Love tends; and to attain which, it urges forth the powers of man to arrest the faintest shadow of that, without the possession of which there is no rest nor respite to the heart over which it rules. Hence in solitude, or in that deserted state when we are surrounded by human beings, and yet they sympathize not with us, we love the flowers, the grass, the waters, and the sky. In the motion of the very leaves of spring, in the blue air, there is then found a secret correspondence with our heart. There is eloquence in the tongueless wind, and a melody in the flowing brooks and the rustling of the reeds beside them, which by their inconceivable relation to something within the soul, awaken the spirits to a dance of breathless rapture, and bring tears of mysterious tenderness to the eyes, like the enthusiasm of patriotic success, or the voice of one beloved singing to you alone. Sterne says that if he were in a desert he would love some cypress. So soon as this want or power is dead, man becomes the living sepulchre of himself, and what yet survives is the mere husk of what once he was.
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Percy Shelley was married to Mary Godwin, daughter of the renowned feminist author Mary Wollstonecraft and political philosopher William Godwin. Godwin, a radical political reformist, took Shelley in as an apprentice after he had been kicked out of Oxford college for his atheism.
Percy and Mary developed a relationship,
despite him already being married with children.
Apparently, in true gothic fashion, Percy and Mary
had sex for the first time near or on her mother's
grave. They would rendezvous in the cemetery
before, when Mary was 16, they decided to run
away together. What followed were years of death,
despair, debauchery, and, I would have to assume,
some love.
Frankenstein was born out of these years and they frequently spent time with Lord George Gordon Byron (the heart throb of of the 18th century) and John Polidori (author of The Vampyre which is accredited with heavily influencing the creation of Dracula) in Switzerland and Italy. I watched a movie last year about the Shelleys, the creation of Frankenstein, their companions, and scandals: "Mary Shelley" (2017). Quite good, I would check it out if it sounds like it could be of interest.
Now, to pause the history lesson for a second, it's worth noting that almost every single one of these young, Romantic poets died either before or right around the age of 30. Mary Shelley lived a longer life, by comparison, but it is so, so crazy to me to consider the works that Byron, Shelley, and Keats created, the ideas their young minds conceived of that we continue to study today. Byron was 24 when he wrote "Childe Harold's Pilgrimmage", Shelley was 18 when he wrote the essay "On Love", Keats was 24 when he wrote "Ode on Melancholy".
There is a quote in one of my favorite movies "Stuck in Love" (2012) that says that any good writer should have lived enough by the age of 18 to sustain a lifetime of writing. A writer is a sum of all their experiences. They did it right. Well, they did it wrong clearly, in some ways. But they did something right, and they managed to create something that has maintained excellence and relevance for centuries.
Side note - here, also, is a very interesting podcast on Byron (spoiler, he's not the most upstanding man!)

St. Peter, Bournemouth and the Wollstonecraft/Godwin/Shelley grave
Shelley died in 1822 at the age of 29. He drowned when his boat sank off the coast of Italy. When his body washed ashore, it is said that he had a book of Keats's poetry in his pocket. His body was burnt on the beach. Byron was there, and it is also said that before his cremation, they cut his heart out of his body to return it to Mary Shelley, who kept it in the drawer of her desk for the rest of her life.


